Category Archives: Book Review – Fiction

solarpunk

What is solar punk exactly? I’m not exactly sure, but this story in Longreads describes it like this:

A new type of science fiction, solarpunk takes as its premise the idea that climate change is unavoidable and probably will be severe, but demands optimism of its writers. A 2015 essay on the genre’s political ideals and inspirations by Andrew Dana Hudson refers to solarpunk as a “speculative movement, a collaborative effort to imagine and design a world of prosperity, peace, sustainability and beauty, achievable with what we have from where we are.” In practice, so far this has meant a bunch of short fiction and visual art, numerous explanatory essays, and a lot of enthusiastic conversation on social media and in online communities. But those associated with it tend to hold out hope that solarpunk could be a starting point for something bigger, something that could help propel a shift away from our contemporary sense of defeatism.

The article mentions a couple short story anthologies:

haunted houses

The New York Times has a roundup of haunted house stories just in time for Halloween. I have read only two on the list – The Shining, which I liked, and Slade House, which I didn’t.

I’m not too big on horror but I occasionally dabble. Sometimes you remember where you were when you read certain books, and it happens that I read these two books in Thailand two Octobers four years apart. I like Lovecraft. I am interested in reading the “laundry series” by Charles Stross, which sounds like a mix between Men in Black and Monster Hunter International (which I also read in Thailand incidentally – traveling is when I read and Thailand is a place I travel, so there.)

James Bond

Part of my summer bucket list was to read one of the old Ian Fleming James Bond books. In the end, I read them all. They are not long and not hard to read. Here are 10 things that surprised me about the literary James Bond.

Warning: This post contains minor spoilers, in case you were thinking of wading into Ian Fleming yourself. Parents, be warned it also contains the P word. PUSSY! There, I said it and it’s out of my system. Actually, I just heard an NPR announcer say it today (talking about the Russian band Pussy Riot) and it made me laugh out loud.

  1. He does order at least one vodka martini shaken not stirred, but his favorite drink by far is bourbon. He drinks enormous quantities of the stuff. He never orders less than a double and sometimes he orders it by the tumbler or just downs it straight from the bottle. In at least one case he mixes it with coffee and takes it with him on a mission that involves climbing trees, firearms and hand-to-hand combat. He definitely drinks in part to unwind after, and sometimes during, a hard day of spying. He occasionally drinks beer or wine, but you get the idea that is just to stay hydrated between bourbons. He also drinks enormous quantities of coffee and states emphatically many times in multiple books how much he despises tea.
  2. He also smokes enormous amounts of cigarettes all day every day.
  3. Somehow, despite this lifestyle he stays in excellent physical condition. Once, it catches up to him a bit and he is ordered to detox in a health clinic for a couple weeks, which is all it takes to restore him to perfect health. This is all somewhat amusing until you learn that Ian Fleming drank and smoked heavily, leading to several heart attacks that ultimately killed him in his 50s. So viewed through that lense, it reads a little like a fantasy of someone who is not in good health but imagines an alter-ego who is. Imagine if Clark Kent downed a bottle of scotch every day, knowing that it couldn’t hurt him. Well, Ian Fleming was no Superman but James Bond sort of was.
  4. He seems most relaxed and engaged in life when he is in dangerous, risky situations that would be extremely stressful for a normal person. When he has a period of relative safety and office work, he gets depressed. This reminds me of possibly the only more famous fictional British character, Sherlock Holmes. He was similar in that he would get bored and depressed when he had a lull in between cases. Like Bond, he turned to substance abuse (cocaine in his case) to get through these periods, and like Bond, he seemed to suffer no lasting ill effects. Both also fake their deaths after defeating an arch-enemy and later resurface. Ian Fleming and Conan Doyle’s character Watson were war veterans (World War II and Afghanistan, respectively), and would have seen some serious shit in their time, which I imagine might have taken more of a toll than it took on their fictional supermen. I’m sure Fleming would have read and been influenced by Conan Doyle.
  5. Pussy Galore was a woman who preferred the company of other women, until she met James Bond… James Bond seems to have a complicated, yet simple, view of lesbians. If they are young and attractive (to men), they are okay and if they are not, they tend to be evil, especially if they prey on young women who are attractive to men.
  6. Speaking of the P word, Octopussy is an actual octopus, showing up briefly in a short story found in Fleming’s notes after his death. James Bond is mostly fearless but he has a weird phobia about octopuses, seeming to believe that they are among the most deadly sea creatures. I’ve done a little research and other than the poisonous ones in Australia, there is almost no evidence of octopuses posing any serious threat to humans, and certainly not killing them.
  7. James Bond is not a particular fan of gay men, short people, Japanese people and people with disabilities. He seems to like black people, gypsies, and Americans overall although he occasionally spouts various slurs and generalizations about them. He is not bothered when one close friend recalls raping someone. In one instance he himself is guilty of something bordering on date rape, although the woman involved does not seem concerned about it afterward. He generally treats women and people in general with respect when he encounters them one on one, however.
  8. One Bond story is a first person account of a young woman’s coming of age, including some sexual exploits, some of which involve James Bond. Perhaps Ian Fleming was bored and wanted to experiment a bit with that one.
  9. He doesn’t always get the girl. Well, usually he gets the girl, but typically only one per novel, and occasionally zero, or there is just a sense of mounting sexual tension which might lead to something offscreen.
  10. The novels are not as violent as the movies. James Bond states several times that he does not kill in cold blood. He generally kills in self defense or occasionally in revenge, and feels some regret about it. The women he sleeps with are not killed constantly like they are in the movies. The villain pretty much always dies, but not always in a violent one-on-one showdown like in the movies. Sometimes it is in a more anti-climactic way. One thing is exactly like the movies – the villains do tend to leave James Bond in “an easily escapable situation involving an overly elaborate and exotic death,” as Dr. Evil put it in Austin Powers. They do sometimes explain why they do this – basically some mixture of sadism, ego, and over-confidence. It’s not quite convincing, but hey, these stories are fantasies in the end.

It was fun reading these books and I’m not sure why I didn’t do it sooner. Rest in peace, Ian Fleming, and long live your indestructible fictional alter ego.

more on cosmogenesis in science fiction

I figured there must be a lot of science fiction about scientists creating universes. In 15 minutes of searching I only came up with two that I didn’t know about:

The Last Question by Isaac Asimov (1956) – In this one, people and computers are trying to figure out over many generations what to do when the universe ends. I won’t spoil the ending.

Schild’s Ladder by Greg Eagen (2002) – I think this one is about a universe accidentally created by scientists. There is a plot summary on Wikipedia but I didn’t want to read it and spoil it for myself.

A Deepness in the Sky

I just finished A Deepness in the Sky by Vernor Vinge, and it was the most enjoyable book I have read in the last couple years. I’m not going to spoil the plot, but like all Vernor Vinge books it has layers upon layers with themes such as civilizations rising and falling, technological progress (and sometimes regression) with its opportunities and dangers, interactions between civilizations at different levels of technology, and at similar levels of technology but with different cultures and values. The plot unfolds over long periods of time while the characters are very real, accessible, and human, even if not all of them are actually human.

What are the trends in ecology and evolution for 2018?

The journal Trends in Ecology and Evolution does an annual “Horizon Scan of Emerging Issues for Global Conservation and Biological Diversity”. I can only see the abstract so here is the one sentence describing the trends:

The issues highlighted span a wide range of fields and include thiamine deficiency in wild animals, the geographic expansion of chronic wasting disease, genetic control of invasive mammal populations and the effect of culturomics on conservation science, policy and action.

I was new to the term culturomics, and thought it might have something to do with synthesizing new compounds in giant vats of yogurt. But no, according to Wikipedia it is not that kind of culture, but relates to search and synthesis algorithms for scientific articles, which does indeed seem to be a recurring theme on this blog lately.

Culturomics is a form of computational lexicology that studies human behavior and cultural trends through the quantitative analysis of digitized texts.[1][2] Researchers data mine large digital archives to investigate cultural phenomena reflected in language and word usage.[3] The term is an American neologism first described in a 2010 Science article called Quantitative Analysis of Culture Using Millions of Digitized Books, co-authored by Harvard researchers Jean-Baptiste Michel and Erez Lieberman Aiden.[4]

At that point, I just needed to figure out what a neologism was, so I looked it up in Webster’s 1913 which some people say is the most artfully written dictionary:

Ne*ol”o*gism (?), n. [Cf. F. néologisme.]

1. The introduction of new words, or the use of old words in a new sense. Mrs. Browning.

2. A new word, phrase, or expression.

3. A new doctrine; specifically, rationalism.

Mrs. Browning? Elizabeth Barrett Browning wrote a long poem called Aurora Leigh which contains the word. And no, I wouldn’t have learned that if I had looked up neologism in the New Oxford American Dictionary.

I learnt my complement of classic French
(Kept pure of Balzac and neologism,)
And German also, since she liked a range
Of liberal education,–tongues, not books.
I learnt a little algebra, a little
Of the mathematics,–brushed with extreme flounce
The circle of the sciences, because
She misliked women who are frivolous.

It goes on like that. Forever.

Oh okay, one more, here is the definition of flounce in Webster’s 1913:

Flounce, v. t. To deck with a flounce or flounces; as, to flounce a petticoat or a frock.

Flounce, n. [Cf. G. flausflausch, a tuft of wool or hair; akin to vliess, E.fleece; or perh. corrupted fr. rounce.] An ornamental appendage to the skirt of a woman’s dress, consisting of a strip gathered and sewed on by its upper edge around the skirt, and left hanging.

Flounce (?), v. i. [imp. & p. p.Flounced (flounst); p. pr. & vb. n.Flouncing(?).] [Cf. OSw. flunsa to immerge.] To throw the limbs and body one way and the other; to spring, turn, or twist with sudden effort or violence; to struggle, as a horse in mire; to flounder; to throw one’s self with a jerk or spasm, often as in displeasure.

To flutter and flounce will do nothing but batter and bruise us.

Barrow.

With his broad fins and forky tail he laves
The rising sirge, and flounces in the waves.

Addison.

“Sirge” I think is an old-timey spelling of “surge”. And if you look up “surge” in this dictionary, its usage is quite interesting and you want to go on. But that’s it for me.

 

more on space bacteria

Russian cosmonauts are claiming they have found bacteria on the outside of the International Space Station that have to have come from space. At least, they didn’t get on the ISS until the ISS was in space, meaning they already had to be there. Reading between the lines, that doesn’t mean the bacteria didn’t make their way from Earth to space at some point in the past, before the ISS was launched.

I wonder if harmless bacteria could go into space, mutate into something dangerous, then make their way back to Earth on a returning spacecraft. Has that story ever been done?

But The Andromeda Strain had a lame ending, as I recall.

speculative fiction on a future U.S. civil war; also, who is Adam Rothstein?

The Intercept has reviews of a few new books in which the United States breaks up.

“Tropic of Kansas” takes place in a United States, in which “whole counties depopulated by disappearing futures” have tried, with limited success, to institute “autonomy and local control of land and law.” A federal recolonization, equally unsuccessful, has left pockets of quasi-autonomous territories contested by various for-profit revolutionaries; feral, unofficially deputized militias; and the occasional U.S. government incursion. The result is the titular space — it’s not “a specific place you could draw on a map, and Kansas wasn’t really even a part of it” — where violence is endemic. Militias confiscate guns. An insurgent is hung from a bridge, “naked and carved with a warning that looked like a corporate logo.” It is into this zone that Sig, a young man orphaned by the militarized police state, is deported by self-amused Mounties…

“AMERICAN WAR,” SIMILARLY composed before Trump’s America was imminent, sees the Second American Civil War kick off in 2074 over the South’s refusal to adhere to the Sustainable Future Act, which outlaws the use of fossil fuels. Following the molding of Southern resistance fighter Sarat Chestnut, “American War” reads less Cassandra than “Tropic.” Instead, El Akkad recreates in the U.S. the societal fracturing it has inaugurated in the Middle East. Children are radicalized by the loss of home, refugee internment, and massacre…

The Neo-Reactionary movement — think the theory bro version of the “alt-right” — sees an endgame in “Patchwork,” which was dreamed up by Mencius Moldbug, the pen name Curtis Yarvin, who reportedly watched election results at the home of sometime Donald Trump adviser Peter Thiel. “Patchwork” consists of a neo-feudal “global spiderweb of tens, even hundreds, of thousands of sovereign and independent mini-countries, each governed by its own joint-stock corporation without regard to the residents’ opinions.”

It also mentions two older books – Ecotopia, which I have read, and The Turner Diaries, which I do not plan to read. Finally, it mentions Adam Rothstein’s “Cascadian Drone Ballads”, about which I am confused whether they are stories, songs, both, or neither, and where and how one would get them. Adam Rothstein appears to be an interesting character, some kind of cross between an author and artist who just does his own thing. Perhaps most surprisingly of all, there does not appear to be a Wikipedia page about him.

It’s hard for me to imagine an actual war between the states. I can imagine a scenario where a federal government starved of tax revenue and regulatory power gradually lets states drift off in their own directions until it is unclear whether they have a coherent foreign policy, and perhaps start checking papers at the border. Ironically, rather than the EU gradually turning into something like the United States as Churchill envisioned, this would mean the U.S. gradually turning into something like the EU (while the EU might be drifting back into something more like its 19th century predecessor.)

By the way, what’s a “theory bro”? Are those the dudes who sit around in bars talking about theories instead of sports and women?

Cloud Atlas

I just finished Cloud Atlas by David Mitchell, and found it to be the best book I have read in awhile. It fits the themes of this blog, but I really don’t want to say too much more about it up front, because it employs some really interesting story telling techniques that I think are much more interesting to discover as you go along than to know about up front. So I don’t recommend reading a review or even description of the book, just read the book itself.